大卫·林奇的全部作品

It's hard to say which of David Lynch's works is the craziest. A profound madness lurks beneath them all, from Eraserhead (1977), his trippy film-school debut, to Blue Velvet (1986) and the Twin Peaks TV series, all the way to Lost Highway (1997), Mulholland Dr. (2001) and Inland Empire (2006). Characters in Lynch films hover on the margins of reality, entering, through portal after portal, phantasmagoric dream worlds that are often as unsettling as they are hypnotic. Though Lynch runs a foundation that advocates a brand of popular meditation, there's little that's calming or stable about his vision. Beneath the thin sheen of daily life is an unfathomable, terrifying darkness. That, it seems, is what Lynch repeatedly tries to bring to light.

似乎很难从大卫·林奇的片子中摘出一部“最”疯狂的电影，因为他的每一部电影中都暗含着一种癫狂。无论是在电影学院小试牛刀并富有迷幻药色彩的《橡皮头》（1977），还是《蓝色天鹅绒》（1986）、电视剧《双峰》（1990），亦或是《妖夜荒踪》（1997）、《穆赫兰道》（2001）和《内陆帝国》（2006），这些片子都是无一例外让人为之疯狂。在大卫·林奇的电影中，主人公在游走在现实的边缘，通过各种不同的途径被催眠般进入飘忽捉摸、令人心神不宁的梦境。尽管大卫·林奇本人在运作一个倡导静坐沉思的基金会，但在他的影像里似乎没有任何冷静和稳固的东西。在光鲜的日常生活背后，隐藏的是深不可测、令人毛骨悚然的黑暗。而大卫·林奇似乎要将这些东西暴露出来。