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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第56期:穿起古装,粉墨登场
What were you thinking of, overweening Euripides, when you hoped to press myth, then in its last agony, into your service?渎神的欧里庇德斯呵，你想再度强迫这垂死者替你服役，是何居心呢？2016-01-18 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第56期:穿起古装,粉墨登场
What were you thinking of, overweening Euripides, when you hoped to press myth, then in its last agony, into your service?渎神的欧里庇德斯呵，你想再度强迫这垂死者替你服役，是何居心呢？2016-01-18 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第期:存在即合理
Once we have comprehended the substance of the Prometheus myth—the imperative necessity of hubris for the titanic individual，你若了解普罗密修斯传说的思想核心——即，一个奋发有为的人物势必犯罪，2016-01-04 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第56期:存在即合理
Once we have comprehended the substance of the Prometheus myth—the imperative necessity of hubris for the titanic individual，你若了解普罗密修斯传说的思想核心——即，一个奋发有为的人物势必犯罪，2016-01-04 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第62期:穿起古装,粉墨登场
What were you thinking of, overweening Euripides, when you hoped to press myth, then in its last agony, into your service?渎神的欧里庇德斯呵，你想再度强迫这垂死者替你服役，是何居心呢？2016-01-18 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第63期:安然撒手尘世
Greek tragedy perished in a manner quite different from the older sister arts:希腊悲剧的灭亡不同于她的姊辈艺术：2016-01-20 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第64期:人在死后仍有理性
When after all a new genre sprang into being which honored tragedy as its parent, 然而，在悲剧死后，一种新的艺术繁盛起来，它奉悲剧为先妣，为主母。2016-01-22 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第65期:如何塑造英雄人物
we shall see clearly how utterly different were Euripides' intentions.那末，你对于欧氏这种背道而驰的倾向，就会恍然大悟了。2016-01-25 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第65期:奴隶的乐观
The new comedy could now address itself to a prepared, enlightened crowd, 现在，新喜剧就面对着这样有准备、有教育的平民大众，2016-01-27 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第66期:奴隶的乐观
The new comedy could now address itself to a prepared, enlightened crowd, 现在，新喜剧就面对着这样有准备、有教育的平民大众，2016-01-27 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第67期:群众的舆论不可忽视
When I said earlier that Euripides had brought the spectator on the stage in order to enable him to judge the play,我们在上文说过，欧里庇德斯曾把观众带上舞台，同时使观众确实有能力评判戏剧；2016-01-29 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第68期:两个特殊的观众
What peculiar consideration for the spectator made him defy that very same spectator?他对观众有甚么稀奇的考虑，以致反对观众呢？2016-02-01 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第69期:慧星光尾的意义
One of the two spectators I just spoke of was Euripides himself,这两个观众之一，就是欧里庇德斯自己。2016-02-03 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第70期:艺术作品的残酷斗争
A similar twilight seemed to invest the very structure of drama, especially the function of the chorus.同样的朦胧的暮色，笼罩着悲剧的结构，尤其是在歌队的目的上。2016-02-05 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第71期:另一个观众的名字
Before giving a name to that other spectator, let us stop a moment.在指出这另一个观众的名字之前，让我们稍停片刻。2016-02-15 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第72期:驱离酒神
Has the Dionysian spirit any right at all to exist?酒神文化毕竟有没有存在的价值呢？2016-02-17 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第74期:多重人格的悲剧诗人
Euripides is the actor of the beating heart, with hair standing on end.欧里庇德斯属于那种心悸发耸的演员：2016-02-22 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第73期:如何达到悲剧的效果
It is not a question here of the events represented.因为悲剧效果与史诗事迹的题材是不相配合的。2016-02-19 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第75期:一切都是为激情做准备
we are ready to deal with the phenomenon of aesthetic Socratism.那末，我们现在要进一步探讨欧里庇德斯的审美苏格拉底主义的性质：2016-02-24 编辑：clover
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[悲剧的诞生] 悲剧的诞生The Birth Of Tragedy 第76期:声名狼藉的“神机妙算”
Whatever did not portend pathos was seen as objectionable.凡是不为激情而设的，就被视为不足取。2016-02-26 编辑：clover
