A CREATIVE WRITING TEACHER at San Jose State used to say about clichés: “Avoid them like the plague.” Then he’d laugh at his own joke. The class laughed along with him, but I always thought clichés got a bum rap. Because, often, they’re dead-on. But the aptness of the clichéd saying is overshadowed by the nature of the saying as a cliché. For example, the “elephant in the room” saying. Nothing could more correctly describe the initial moments of my reunion with Rahim Khan.
We sat on a wispy mattress set along the wall, across the window overlooking the noisy street below. Sunlight slanted in and cast a triangular wedge of light onto the Afghan rug on the floor. Two folding chairs rested against one wall and a small copper samovar sat in the opposite corner. I poured us tea from it.
“How did you find me?” I asked.
“It’s not difficult to find people in America. I bought a map of the U.S., and called up information for cities in Northern California,” he said. “It’s wonderfully strange to see you as a grown man.”
I smiled and dropped three sugar cubes in my tea. He liked his black and bitter, I remembered. “Baba didn’t get the chance to tell you but I got married fifteen years ago.” The truth was, by then, the cancer in Baba’s brain had made him forgetful, negligent.
“You are married? To whom?”
“Her name is Soraya Taheri.” I thought of her back home, worrying about me. I was glad she wasn’t alone.
“Taheri... whose daughter is she?”
I told him. His eyes brightened. “Oh, yes, I remember now. Isn’t General Taheri married to Sharif jan’s sister? What was her name...”
“Jamila jan.”
“Balay!” he said, smiling. “I knew Sharif jan in Kabul, long time ago, before he moved to America.”
“He’s been working for the INS for years, handles a lot of Afghan cases.”
“Haiiii,” he sighed. “Do you and Soraya jan have children?”
“Nay.”
adj. 可折叠的 动词fold的现在分词