This is the hymn I call "The Amazing Grace of Sanskrit," filled with devotional longing. It is the one devotional song I have memorized, not so much from effort as from love. I begin to sing the familiar words in Sanskrit, from the simple introduction about the sacred teachings of Yoga to the rising tones of worship ("I adore the cause of the universe . . . I adore the one whose eyes are the sun, the moon and fire . . . you are everything to me, O god of gods . . .") to the last gemlike summation of all faith ("This is perfect, that is perfect, if you take the perfect from the perfect, the perfect remains").

The women finish singing. They bow in silence, then move out a side door across a dark courtyard and into a smaller temple, barely lit by one oil lamp and perfumed with incense. I follow them. The room is filled with devotees—Indian and Western—wrapped in woolen shawls against the predawn cold. Everyone is seated in meditation, roosted there, you might say, and I slip in beside them, the new bird in the flock, completely unnoticed. I sit crosslegged, place my hands on my knees, close my eyes.

I have not meditated in four months. I have not even thought about meditating in four months. I sit there. My breath quiets. I say the mantra to myself once very slowly and deliberately, syllable by syllable.

Om. Na. Mah. Shi. Va. Ya. Om Namah Shivaya.

I honor the divinity that resides within me.

Then I repeat it again. Again. And again. It's not so much that I'm meditating as unpacking the mantra carefully, the way you would unpack your grandmother's best china if it had been stored in a box for a long time, unused. I don't know if I fall asleep or if I drop into some kind of spell or even how much time passes. But when the sun finally comes up that morning in India and everyone opens their eyes and looks around, Italy feels ten thousand miles away from me now, and it is as if I have been here in this flock forever. Eat, Pray, Love