1. But as to the middle comedy which came next, observe what it was, and again, for what object the new comedy was introduced, which gradually sunk down into a mere mimic artifice. ���������ֵ��м�ʱ����ϲ�磬�۲�����ʲô���ٿ���һ�µ�ϲ������ʲôĿ�ı������ģ�����������Ϊһ�ֽ�����ƴ�ڻ�ļ��ɡ�
2. Obviously, Shakespeare's use of the falseness-trueness techniques is closely related to his romantic art of comedy and his ideal of comedy. ��Ȼ��ɯ����ʵ�ַ�����������ϲ������������ϲ�������������ء�
3. Analyze a single episode of a contemporary situation comedy , emphasizing its visual style, its treatment of character, its strategies of comedy . ����ij�������龰ϲ���е�һ�������ع�ע�����Ӿ����͡��Ľ�ɫ����������ϲ����ԡ�
4. Martin Scorsese made the 1985 comedy After Hours as a kind of quick rejuvenator following a long, difficult production on The King of Comedy. ������ϲ��֮�����������ѵ�����������ʷ����˹��1985���ϲ�硸�°������������Ԫ���ĵ�����
5. what they wanted was low comedy��and maybe something rather worse than low comedy, he reckoned. ����Ҫ������ǵͼ�Ȥζ�Ļ����硪���������ƣ�Ҳ���ȵͼ�Ȥζ�Ļ��������һ����εİɡ�