1. Our school dramas tend towards comedy and farce. ����ѧУ���ŵ�Ϸ��������ϲ��ͻ����硣
2. See your life not as a distraught drama but as a romantic comedy. Recognize the inherent farce-like quality in situations including sex and relationships. ��Ҫ������ɱ��磬��������������ϲ�硣�������������Ļ��ƻ������顪�������ԡ�����֮��һ����
3. But as to the middle comedy which came next, observe what it was, and again, for what object the new comedy was introduced, which gradually sunk down into a mere mimic artifice. ���������ֵ��м�ʱ����ϲ�磬�۲�����ʲô���ٿ���һ�µ�ϲ������ʲôĿ�ı������ģ�����������Ϊһ�ֽ�����ƴ�ڻ�ļ��ɡ�
4. Obviously, Shakespeare's use of the falseness-trueness techniques is closely related to his romantic art of comedy and his ideal of comedy. ��Ȼ��ɯ����ʵ�ַ�����������ϲ������������ϲ�������������ء�
5. Analyze a single episode of a contemporary situation comedy , emphasizing its visual style, its treatment of character, its strategies of comedy . ����ij�������龰ϲ���е�һ�������ع�ע�����Ӿ����͡��Ľ�ɫ����������ϲ����ԡ�