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大学英语六级听力MP3(含lrc字幕) 第5期

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  • College English Test--Band Six
  • Part III Listening Comprehension
  • Section A
  • Directions: In this section,
  • you will hear 8 short conversations and 2 long conversations.
  • At the end of each conversation,
  • one or more questions will be asked about what was said.
  • Both the conversation and the questions will be spoken only once.
  • After each question there will be a pause.
  • During the pause, you must read the four choices
  • marked A), B), C) and D), and decide which is the best answer.
  • Then mark the corresponding letter on Answer Sheet 2
  • with a single line through the centre.
  • Now, let's begin with the eight short conversations.
  • 11. M: Mary, could you please tell Thomas to contact me?
  • I was hoping he be able to help out
  • with the freshman orientation program next week.
  • W: I would certainly tell him if I saw him,
  • but I haven't seen him around for quite a few days.
  • Q: What does the woman mean?
  • 12. M: Susan, I am going to change the light bulb
  • above the dining room table.
  • Will you hold the ladder for me?
  • W: No problem. But be careful while you're up there.
  • Q: What does the man want the woman to do?
  • 13. W: It's freezing cold. Let me make some coffee
  • to warm us up. Do you want a piece of pie as well?
  • M: Coffee sounds great! But I am going to have dinner
  • with some friends in a while, so I'd better skip the pie.
  • Q: What does the man mean?
  • 14. M: Hello, Mary. This is Paul at the bank. Is Tony home?
  • W: Not yet, Paul. I don't think you can reach him
  • at the office now, either. He phoned me five minutes ago
  • to say he was stopping for a haircut on his way home.
  • Q: Who do you think the woman probably is?
  • 15. W: Oh! Boy! I don't understand
  • how you got a ticket today. I always thought you were slow
  • even driving on the less crowded fast lane.
  • M: I am usually careful, but this time I thought
  • I could get through the intersection before the light turned.
  • Q: What do we learn about the man?
  • 16. M: I'm afraid there won't be time
  • to do another tooth today. Make sure you don't eat
  • anything like steaks for the next few hours
  • and we will fill the other cavity tomorrow.
  • W: All right. Actually I must hurry to
  • the library to return some books.
  • Q: Where does the conversation most probably take place?
  • 17. W: I am worried about Jenny going to college.
  • College students are so wild nowadays.
  • M: Actually only a few are like that.
  • Most students are too busy studying
  • to have time to cause trouble.
  • Q: What does the man imply?
  • 18. W: You didn't seem terribly enthusiastic
  • about the performance.
  • M: You must be kidding. I couldn't have clapped any harder.
  • My hands are still hurting.
  • Q: What does the man think of the performance?
  • Now you'll hear the two long conversations.
  • Conversation One
  • M: Excuse me, Prof. Thomson.
  • I know your office hours are tomorrow,
  • but I was wondering if you have a few minutes free
  • now to discuss something.
  • W: Sure, John. What do you want to talk about?
  • M: Well, I have some quick problems about
  • how to write the research project that
  • I do this semester about Climate Changes.
  • W: Oh, yes. You were looking for changes in climate
  • in the G city area, right? How far have you been gotten?
  • M: I've gotten my data,
  • so I'm starting to summarize it now,
  • preparing graph and stuff. But I'm just…I'm looking at it
  • and I'm afraid that is not enough,
  • but I'm not sure what else to put into the report.
  • W: I hear the same thing from every student.
  • You know, you have to remember now that
  • you are the expert on what you have done.
  • So think about what you need to include
  • if you're going to explain your research project to someone
  • with general or casual knowledge about
  • the subject like your parents. That's usually my rule…
  • Would my parents understand this?
  • M: Uhh, I get it. I was wondering
  • if I should also include the notes from
  • the research journals you suggest.
  • W: Yes, definitely. Be sure you include good reference section
  • where all your published and unpublished data came from.
  • M: Yes. … I have data more than just in the G city area,
  • so I also include regional data in the report.
  • With everything else, it should be a pretty good indication
  • of climate of this part of the state.
  • W: Sounds good. I'll be happy to look over
  • a draft before you hand the final copy if you wish.
  • M: Great. I plan to get you the draft of the paper
  • by next Friday. Thanks very much. See you.
  • W: Ok.
  • Questions 19 to 21 are based on the conversation you have just heard.
  • 19. What did the student want to talk with the professor?
  • 20. What is the professor's suggestion to the student?
  • 21. What will probably happen next?
  • Conversation Two
  • M: I'd like to share with you today my experience
  • with a new approach to building a house.
  • It's called Envelop Building.
  • W: Hmm, it sounds interesting.
  • Please share with us. What does it mean?
  • M: Essentially, what it means is that as you are building a house,
  • you try to leave the landscape feature on the land,
  • especially the vegetation in the original condition.
  • So what you are not doing is the usual practice of land-scraping.
  • By which I mean literally scraping or cleaning the land of any
  • and all the original plants.
  • W: Why is the approach called Envelop Building?
  • M: Good question! Because instead of clearing everything away,
  • you let your original landscape elements envelop
  • or surround your house. Let the vegetation physical features
  • such as hills and slopes or interesting rock formations,
  • constitute a significant part of
  • the character of the building site.
  • The design of the house should take these features of
  • the land into account.
  • W: Any more information about Envelop Building?
  • It is a recent technology?
  • M: Actually integrating your original wild landscape
  • with a house is not that new.
  • The famous American architect Wright was doing it
  • about 65 years ago. Envelop Building is not as easy as
  • it sounds though. It's not just that you build your house
  • and leave the land alone. By building,
  • you are already damaging the original landscape.
  • But as architects, we should try to work with environment,
  • not against it. A creative architect can find ways
  • to incorporate natural landscape into the overall design.
  • W: I guess this technology will be acknowledged by more architects.
  • Questions22 to 25 are based on the conversation you have just heard.
  • 22. According to the professor,
  • what does the term "land scaping" refer to?
  • 23. In Envelop Building,
  • what is done with the landscape features of a building site?
  • 24. Why does the professor mention the architect Wright?
  • 25. What suggestion did the professor give to architects?
  • Section B
  • Directions: In this section, you will hear 3 short passages.
  • At the end of each passage, you will hear some questions.
  • Both the passage and the questions will be spoken only once.
  • After you hear a question, you must choose the best answer
  • from the four choices marked A), B), C) and D).
  • Then mark the corresponding letter on Answer Sheet 2
  • with a single line through the centre.
  • Passage One
  • Born and raised in central Ohio,
  • I am a country girl through and through.
  • I am currently studying to become a physical therapist,
  • a career path that marks a greater achievement for me.
  • At the Ohio State University,
  • admission into the physical therapy program is
  • intensively competitive. I made it pass the first
  • cut the first year I applied, but was turned down for admission.
  • I was crushed because for years I have been determined to
  • become a physical therapist. I received the advice from friends
  • and relatives about changing my major
  • and finding another course for my life.
  • I just couldn't do it. I knew I could not be
  • as happy in another profession. So I stilled myself,
  • began to work seriously for another year and reapplied.
  • Happily I received notice of my admission.
  • Later I found out that less than 15% of the applicants
  • had been offered positions that year.
  • Now, in the first two years' professional training,
  • I could not be happier with my decision not to
  • give up all my dream. My father told me that
  • if I wanted it badly enough, I would get in.
  • Well, daddy, I wanted it, so there.
  • After graduation, I would like to travel to another country,
  • possibly a Latin-American country
  • and work in a children's hospital for a year or two.
  • So many of children there are physically handicapped,
  • but most hospitals don't have the funding to
  • hire a trained staff to care for them properly.
  • I would like to change that somehow.
  • Questions 26 to 28 are based on the passage you have just heard.
  • 26. What is the speaker's field of study?
  • 27. According to the speaker, what contributed to
  • her admission to Ohio State University?
  • 28. Why does the speaker want to go to a Latin-American country?
  • Passage Two
  • Gabriela Mistral was once an ordinary teacher
  • in a small village school in Northern Chile.
  • Towering mountains separated her village
  • from the world outside. Gabriela Mistral was
  • only fifteen when she began teaching,
  • but she was a good teacher. She helped the minds of
  • her students scale the mountain walls
  • and reached out to the world beyond.
  • For eighteen years, Gabriela devoted her life
  • to the poor farm children of Chile's northern valleys.
  • During part of this time,
  • she was director of schools in all of the Chile.
  • Before long, many countries recognized her
  • as a great friend of children and a leader in education.
  • In 1922, she was invited to Mexico to
  • help organize the Rural School System.
  • Two years later, Gabriela Mistral came to the United States
  • where she served as a visiting professor in several colleges.
  • In New York City, a group of teachers helped to
  • finance the publication of her first book of poetry.
  • Some of her books have been translated into
  • six different languages. She gave the income from
  • some of her books to help poor and neglected children.
  • Beginning in the 1920s, her interests reached out
  • to broader fields. Statesmen asked her advice on
  • international problems. She tried to break through
  • the national barriers that hindered the exchange of ideas
  • among the Spanish-speaking people of South America.
  • She tried to develop a better understanding
  • between the United States and countries of Latin America.
  • In 1945, she gained worldwide recognition
  • by winning the Nobel Prize in literature,
  • the first South American to win the prize.
  • Questions 29 to 32 are based on the passage you have just heard.
  • 29. Where did Gabriela Mistral start her teaching career?
  • 30. How did Gabriela Mistral help
  • the poor children of her hometown?
  • 31. Why did many countries think highly of Gabriela Mistral?
  • 32. How did Gabriela Mistral become famous all over the world?
  • Passage Three
  • Over time animals have developed many ways to
  • stay away from predators.
  • A predator is an animal that hunts and eats other animals.
  • Hiding is one of the best ways to stay alive.
  • Some animals hide by looking like the places
  • where they live. To see how this works,
  • let's look at the sea dragon. It is a master of disguise.
  • The sea dragon is covered with skin that looks like leaves.
  • The skin helps the dragon look like a piece of seaweed.
  • A hungry meat-eater would stay away from anything
  • that looks like seaweed. Other animals stay safe
  • by showing their colors. They want other animals to see them.
  • Scientists call these bright colors warning colors.
  • You have probably seen animals that have warning colors.
  • Some grasshoppers show off their own bright colors.
  • Those colors don't just look attractive.
  • They tell the enemies to stay away.
  • Of course, hungry predators sometimes ignore the warning.
  • They still go after the grasshopper.
  • If that happens, the grasshopper has a backup of defense.
  • It makes lots of foam. The foam tastes so bad that
  • the predator won't do it again.
  • Color doesn't offer enough protection for some other animals.
  • They have different defenses that help them survive in the wild.
  • Many fish live in groups or schools.
  • That's because there is safety in numbers.
  • At the first sign of trouble, schooling fish swim
  • as close together as they can get.
  • Then the school of fish makes lots of twists and turns.
  • All that movement makes it hard for predators to see individuals
  • in a large group.
  • Questions 33 to 35 are based on the passage you have just heard.
  • 33. What is the speaker mainly talking about?
  • 34. What protects the sea dragon from a meat-eater's attack?
  • 35. According to the passage, why do many fish stay in groups?
  • Section C
  • Directions: In this section,
  • you will hear a passage three times.
  • When the passage is read for the first time,
  • you should listen carefully for its general idea.
  • When the passage is read for the second time,
  • you are required to fill in the blanks
  • numbered from 36 to 43 with the exact words you
  • have just heard. For blanks numbered from 44 to 46
  • you are required to fill in the missing information.
  • For these blanks, you can either use the exact words
  • you have just heard or write down the main points
  • in your own words. Finally, when the passage is read
  • for the third time, you should check what you have written.
  • Now listen to the passage.
  • For some educators, there is nothing wrong
  • with fun and games. A group called the Education Arcade
  • recently held a conference in Los Angeles to
  • discuss the future of educational games,
  • and it brings together international game designers,
  • publishers, teachers and policymakers.
  • The Education Arcade commenced at
  • the Massachusetts Institute of Technology, near Boston.
  • Professors cooperated with the Microsoft Company
  • to create what they called the Games-to-Teach Project.
  • The group began to explore techniques to
  • use technology in teaching and learning.
  • They worked with game designers to develop ideas about
  • how mathematics and science could associate with game playing.
  • The group recently announced that
  • a "Games for Learning" statement will be placed
  • on some products. The goal is to help people find games that
  • are recreational but will also teach.
  • The Entertainment Software Association says
  • approximately fifty percent of all Americans at age six and
  • older play computer and video games. Sales of such games
  • in the United States grew eight percent last year,
  • to seven-thousand-million dollars.
  • Experts say developing a successful computer game
  • can take millions of dollars and years of work.
  • They say many companies are not willing to invest that
  • much money and time in educational games
  • when other kinds sell better.
  • Still, companies have been creating systems
  • like hand-held educational devices made by LeapFrog.
  • And new educational role-playing games
  • are being developed on the basis of the results from
  • recent surveys and related research. For example,
  • M.I.T. is developing a game so that players will
  • get to experience the American Revolution online.
  • Now the passage will be read again.
  • For some educators, there is nothing wrong with fun and games.
  • A group called the Education Arcade recently
  • held a conference in Los Angeles to
  • discuss the future of educational games,
  • and it brings together international game designers,
  • publishers, teachers and policymakers.
  • The Education Arcade commenced at
  • the Massachusetts Institute of Technology, near Boston.
  • Professors cooperated with the Microsoft Company to create
  • what they called the Games-to-Teach Project.
  • The group began to explore techniques to use technology
  • in teaching and learning. They worked with game designers
  • to develop ideas about how mathematics and science
  • could associate with game playing.
  • The group recently announced that
  • a "Games for Learning" statement will be placed
  • on some products. The goal is to help people find games that
  • are recreational but will also teach.
  • The Entertainment Software Association
  • says approximately fifty percent of all Americans
  • at age six and older play computer and video games.
  • Sales of such games in the United States
  • grew eight percent last year, to seven-thousand-million dollars.
  • Experts say developing a successful computer game
  • can take millions of dollars and years of work.
  • They say many companies are not willing to invest that
  • much money and time in educational games
  • when other kinds sell better.
  • Still, companies have been creating systems
  • like hand-held educational devices made by LeapFrog.
  • And new educational role-playing games
  • are being developed on the basis of the results from
  • recent surveys and related research.
  • For example,M.I.T. is developing a game so that players will
  • get to experience the American Revolution online.
  • Now the passage will be read for the third time.
  • For some educators, there is nothing wrong with fun and games.
  • A group called the Education Arcade recently
  • held a conference in Los Angeles to
  • discuss the future of educational games,
  • and it brings together international game designers,
  • publishers, teachers and policymakers.
  • The Education Arcade commenced at
  • the Massachusetts Institute of Technology, near Boston.
  • Professors cooperated with the Microsoft Company to create
  • what they called the Games-to-Teach Project.
  • The group began to explore techniques to use technology
  • in teaching and learning. They worked with game designers
  • to develop ideas about how mathematics and science
  • could associate with game playing.
  • The group recently announced that
  • a "Games for Learning" statement will be placed
  • on some products. The goal is to help people find games that
  • are recreational but will also teach.
  • The Entertainment Software Association says
  • approximately fifty percent of all Americans at age six and
  • older play computer and video games.
  • Sales of such games in the United States
  • grew eight percent last year,
  • to seven-thousand-million dollars.
  • Experts say developing a successful computer game
  • can take millions of dollars and years of work.
  • They say many companies are not willing to invest that
  • much money and time in educational games
  • when other kinds sell better.
  • Still, companies have been creating systems
  • like hand-held educational devices made by LeapFrog.
  • And new educational role-playing games
  • are being developed on the basis of the results from
  • recent surveys and related research. For example,
  • M.I.T. is developing a game so that players will
  • get to experience the American Revolution online.
  • This is the end of listening comprehension.


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[00:07.55]College English Test--Band Six
[00:10.39]Part III Listening Comprehension
[00:13.67]Section A
[00:16.08]Directions: In this section,
[00:19.03]you will hear 8 short conversations and 2 long conversations.
[00:23.63]At the end of each conversation,
[00:25.93]one or more questions will be asked about what was said.
[00:29.21]Both the conversation and the questions will be spoken only once.
[00:34.02]After each question there will be a pause.
[00:37.30]During the pause, you must read the four choices
[00:41.13]marked A), B), C) and D), and decide which is the best answer.
[00:46.93]Then mark the corresponding letter on Answer Sheet 2
[00:51.64]with a single line through the centre.
[00:54.37]Now, lets begin with the eight short conversations.
[00:58.86]11. M: Mary, could you please tell Thomas to contact me?
[01:04.43]I was hoping he be able to help out
[01:07.28]with the freshman orientation program next week.
[01:09.47]W: I would certainly tell him if I saw him,
[01:12.10]but I havent seen him around for quite a few days.
[01:15.49]Q: What does the woman mean?
[01:33.65]12. M: Susan, I am going to change the light bulb
[01:38.68]above the dining room table.
[01:40.87]Will you hold the ladder for me?
[01:42.95]W: No problem. But be careful while youre up there.
[01:46.56]Q: What does the man want the woman to do?
[02:04.88]13. W: Its freezing cold. Let me make some coffee
[02:11.01]to warm us up. Do you want a piece of pie as well?
[02:14.18]M: Coffee sounds great! But I am going to have dinner
[02:17.25]with some friends in a while, so Id better skip the pie.
[02:20.85]Q: What does the man mean?
[02:38.71]14. M: Hello, Mary. This is Paul at the bank. Is Tony home?
[02:45.71]W: Not yet, Paul. I dont think you can reach him
[02:49.21]at the office now, either. He phoned me five minutes ago
[02:52.60]to say he was stopping for a haircut on his way home.
[02:55.78]Q: Who do you think the woman probably is?
[03:14.87]15. W: Oh! Boy! I dont understand
[03:19.67]how you got a ticket today. I always thought you were slow
[03:23.61]even driving on the less crowded fast lane.
[03:26.46]M: I am usually careful, but this time I thought
[03:29.30]I could get through the intersection before the light turned.
[03:32.91]Q: What do we learn about the man?
[03:52.33]16. M: Im afraid there wont be time
[03:56.70]to do another tooth today. Make sure you dont eat
[03:59.76]anything like steaks for the next few hours
[04:02.61]and we will fill the other cavity tomorrow.
[04:05.46]W: All right. Actually I must hurry to
[04:08.41]the library to return some books.
[04:11.04]Q: Where does the conversation most probably take place?
[04:30.12]17. W: I am worried about Jenny going to college.
[04:35.70]College students are so wild nowadays.
[04:39.31]M: Actually only a few are like that.
[04:41.72]Most students are too busy studying
[04:44.01]to have time to cause trouble.
[04:46.75]Q: What does the man imply?
[05:04.75]18. W: You didnt seem terribly enthusiastic
[05:09.12]about the performance.
[05:10.54]M: You must be kidding. I couldnt have clapped any harder.
[05:13.39]My hands are still hurting.
[05:15.47]Q: What does the man think of the performance?
[05:34.34]Now youll hear the two long conversations.
[05:37.65]Conversation One
[05:40.49]M: Excuse me, Prof. Thomson.
[05:42.90]I know your office hours are tomorrow,
[05:45.30]but I was wondering if you have a few minutes free
[05:47.49]now to discuss something.
[05:49.14]W: Sure, John. What do you want to talk about?
[05:51.44]M: Well, I have some quick problems about
[05:54.39]how to write the research project that
[05:57.23]I do this semester about Climate Changes.
[06:00.19]W: Oh, yes. You were looking for changes in climate
[06:02.81]in the G city area, right? How far have you been gotten?
[06:06.20]M: Ive gotten my data,
[06:08.17]so Im starting to summarize it now,
[06:10.14]preparing graph and stuff. But Im justIm looking at it
[06:14.52]and Im afraid that is not enough,
[06:16.71]but Im not sure what else to put into the report.
[06:19.00]W: I hear the same thing from every student.
[06:21.74]You know, you have to remember now that
[06:24.03]you are the expert on what you have done.
[06:26.01]So think about what you need to include
[06:28.41]if youre going to explain your research project to someone
[06:30.93]with general or casual knowledge about
[06:33.66]the subject like your parents. Thats usually my rule
[06:36.95]Would my parents understand this?
[06:39.14]M: Uhh, I get it. I was wondering
[06:41.87]if I should also include the notes from
[06:43.95]the research journals you suggest.
[06:45.92]W: Yes, definitely. Be sure you include good reference section
[06:49.09]where all your published and unpublished data came from.
[06:52.16]M: Yes. … I have data more than just in the G city area,
[06:57.29]so I also include regional data in the report.
[06:59.70]With everything else, it should be a pretty good indication
[07:02.98]of climate of this part of the state.
[07:05.61]W: Sounds good. Ill be happy to look over
[07:08.02]a draft before you hand the final copy if you wish.
[07:11.41]M: Great. I plan to get you the draft of the paper
[07:14.91]by next Friday. Thanks very much. See you.
[07:17.97]W: Ok.
[07:20.16]Questions 19 to 21 are based on the conversation you have just heard.
[07:24.42]19. What did the student want to talk with the professor?
[07:45.43]20. What is the professors suggestion to the student?
[08:03.75]21. What will probably happen next?
[08:24.37]Conversation Two
[08:27.10]M: Id like to share with you today my experience
[08:29.84]with a new approach to building a house.
[08:31.92]Its called Envelop Building.
[08:34.33]W: Hmm, it sounds interesting.
[08:36.29]Please share with us. What does it mean?
[08:38.59]M: Essentially, what it means is that as you are building a house,
[08:42.96]you try to leave the landscape feature on the land,
[08:45.92]especially the vegetation in the original condition.
[08:49.09]So what you are not doing is the usual practice of land-scraping.
[08:53.47]By which I mean literally scraping or cleaning the land of any
[08:57.51]and all the original plants.
[08:59.93]W: Why is the approach called Envelop Building?
[09:02.44]M: Good question! Because instead of clearing everything away,
[09:05.94]you let your original landscape elements envelop
[09:09.55]or surround your house. Let the vegetation physical features
[09:13.71]such as hills and slopes or interesting rock formations,
[09:18.08]constitute a significant part of
[09:20.49]the character of the building site.
[09:22.35]The design of the house should take these features of
[09:25.31]the land into account.
[09:27.39]W: Any more information about Envelop Building?
[09:29.57]It is a recent technology?
[09:31.44]M: Actually integrating your original wild landscape
[09:34.71]with a house is not that new.
[09:36.79]The famous American architect Wright was doing it
[09:39.97]about 65 years ago. Envelop Building is not as easy as
[09:44.34]it sounds though. Its not just that you build your house
[09:47.08]and leave the land alone. By building,
[09:50.14]you are already damaging the original landscape.
[09:52.88]But as architects, we should try to work with environment,
[09:56.49]not against it. A creative architect can find ways
[10:00.20]to incorporate natural landscape into the overall design.
[10:03.59]W: I guess this technology will be acknowledged by more architects.
[10:08.20]Questions22 to 25 are based on the conversation you have just heard.
[10:13.56]22. According to the professor,
[10:17.28]what does the termland scapingrefer to?
[10:35.49]23. In Envelop Building,
[10:39.19]what is done with the landscape features of a building site?
[10:56.86]24. Why does the professor mention the architect Wright?
[11:17.47]25. What suggestion did the professor give to architects?

重点单词   查看全部解释    
landscape ['lændskeip]

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n. 风景,山水,风景画
v. 美化景观

 
disguise [dis'gaiz]

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n. 假面目,伪装物,假装
vt. 假装,假扮

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revolution [.revə'lu:ʃən]

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n. 革命,旋转,转数

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approach [ə'prəutʃ]

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n. 接近; 途径,方法
v. 靠近,接近,动

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entertainment [.entə'teinmənt]

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n. 娱乐

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draft [dræft]

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n. 草稿,草图,汇票,徵兵
vt. 起草,征

 
check [tʃek]

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n. 检查,支票,账单,制止,阻止物,检验标准,方格图案

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minutes ['minits]

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n. 会议记录,(复数)分钟

 
competitive [kəm'petitiv]

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adj. 竞争的,比赛的

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environment [in'vaiərənmənt]

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n. 环境,外界

 

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